The Original is Always Better.

I’m surprisingly old-fashioned and big on tradition. The recent trend of remaking classic movies is driving me bananas, quite frankly. I’m disappointed in Hollywood’s lack of creativity! I grew up with the Gene Wilder version of Charlie and the Chocolate Factory. Needless to say, I only needed to watch a few minutes of the newer Johnny Depp version to know that it just wouldn’t do. Too dark, too creepy, too WIERD. My kids, age 6 and 4, felt the same and vastly prefer Gene Wilder as Willy Wonka.  They love the movie, period, with or without the comparison to the newer one. I was pretty psyched when I had the opportunity to get a copy of the book, because…guess what? I’ve never read it! I wasn’t into Roald Dahl much as a kid and as an adult, I was busy reading other books. Alice, who just turned six, was excited to read it with me. She is just getting into chapter books and while she can read some chapter books independently (Henry and Mudge books are a popular series in our house right now), she likes being read to. It’s been exciting to move beyond picture books to novels that require her to listen and create imagery in her own mind. As an English teacher, this is the part of parenting I have long looked forward to–sharing novels with my kids and nurturing a love of reading independently.

And though From Left to Write members don’t write book reviews, I am making an exception for this one and turning this post over to Alice, who says the book is better than the movie and  wrote:

“I recommend this book because it’s the best chapter book ever. My favorite part is when they go in the Chocolate Room. All Mr. Willy Wonka’s dreams were in that room. I like the fact that you can everything in that room! I like that the trees are made of lollipops and the grass is minty sugar.
Anyone that likes candy and likes to read should read this book.”
Alice, Age 6

This post was inspired by the classic Charlie and the Chocolate Factory by Roald Dahl, which celebrates its 50th anniversary this year. To celebrate, Penguin Young Readers Group, in partnership with Dylan’s Candy Bar, the world-famous candy emporium, and First Book, a nonprofit social enterprise that provides books for children from low-income families, is launching a year-long international celebration.

Head over to From Left to Write to learn how you and your child can have a chance to win the Golden Ticket Sweepstakes where the grand prize is a magical trip to New York City plus much more! For every entry submitted, Penguin Young Readers Group will make a donation to First Book. Then, join From Left to Write on July 24 as we discuss Charlie and the Chocolate Factory. As a book club member, I received a copy of the book for review purposes. 


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This is The Story of a Happy Marriage (or How a Book Club Was Born).

Way back in May, which seems like forever ago now, back when the kids were still in school, back when days were warm and nights were cool, you get my drift… Way back in May, I was in the library with my friend Rachel and our kids. I spied a book on a bookcase across the room and decided I wanted to read it. I’d heard of the book before, and I was definitely judging this book by its cover, knowing nothing about it. I decided on the spot to have a summer book club for us moms who were staring down a long summer with the kids in town. That evening, I sent out an email to a group of friends who I thought would be down with a book club and who would be in town most of the summer.  Every single lady said yes, god bless ’em. This book club would be on!

The book: This Is The Story of a Happy Marriage, by Ann Patchett. I had no idea what the book was about but I trusted my instincts. It turned out to be a collection of personal essays, wonderful personal essays, maybe the best I’ve ever read. Before the book was even done, I knew I’d re-read it. I did have some pangs of worry though because these personal essays were also essays about writing, and I wasn’t sure if the ladies in my group would be down that. I guess I had thought the essays would be about marriage and parenting and being a woman, and all that good stuff. First of all, Patchett has no children so there are no essays about motherhood, though she does write about her consternation towards people who assume that she is using her dog as sublimation for a baby.

Being a childless woman of childbearing age, I am a walking target for people’s concerned analysis. No one looks at a single man with a Labrador retriever and says. “Will you look at the way he throws the tennis ball to that dog? Now there’s a guy who wants to have a son.” A dog, after all, is man’s best friend, a comrade, a pal. But give a dog to a woman and people will say she is sublimating. If she says that she, in fact, doesn’t want children, they will nod understandingly and say, “You just wait.” For the record, I do not speak to my dog in baby talk, nor when calling to her do I say, “Come to Mama.” 

Her derision and annoyance come through so well, and with humor, too. I fell in love with this voice throughout the book. Each and every essay was a pleasure to read, and as someone who is still trying to master the art of the personal essay, the lessons were bountiful. In fact, if I were still teaching, these essays would form the cornerstone of a curriculum on the personal essay (along with the other master,  Philip Lopate, of course.)

Art stands on the shoulders of craft, which means that to get to the art you must master the craft. If you want to write, practice writing. Practice it for hours a day, not to come up with a story you can publish, but because you long to learn how to write well, because there is something that you alone can say. Write the story, learn from it, put it away, write another story. Think of a sink pipe filled with sticky sediment. The only way to get clean water is to force a small ocean through the tap. Most of us are full up with bad stories, boring stories, self-indulgent stories, searing works of unendurable melodrama We must get all of them out of system in order to find the good stories that may or may not exist in the freshwater underneath. 

Besides the wonderful, writerly advice, Patchett’s essays give us an glimpse into worlds we don’t see, sometimes risking an unpopular viewpoint. In The Wall, Patchett writes about trying out for the Los Angeles Police Academy, in the aftermath of the Rodney King riots. Patchett’s father was a captain in the LAPD, and retired before the riots. Her experience with the officers of the LAPD stands in stark contrast with the media portrayal of the force following the beating of Rodney King, his trial and the riots. In this essay, she strives to put a face on an oft-villanized group. While she does not attempt to excuse or apologize for the officers that beat Rodney King, she does want to reclaim her hard-working father’s honor and who can fault a daughter for that?

I am proud of my father. I am proud of his life’s work. For a brief time I saw how difficult it would be to be a police officer in the city of Los Angeles, how easy it would be to fail at the job, as so many have failed. My father succeeded. He served his city well. I wanted to make a note of that.  

One of my favorite essays in the collection comes at the end. The Mercies is a story about the nuns that taught Patchett as a child. First of all, as a non-Catholic, I was fascinated by this personal peek into the lives of nuns! I was also thoroughly heartwarmed by the evolving nature of the lifelong relationship between teacher and student.  I am still close with a few of my own students (a student I had as a freshman just finished grad school! Holy heck…) and I felt the story deeply, knowingly, appreciatively. And it is in this story that Patchett reveals a surprising secret that she only alludes to in an earlier essay. But I’m not going to tell you. Sorry! No spoilers here…

I also want to add that I finished this book in under a week. That’s rare these days, and I attribute that to the fact that I read it while on a week-long camping trip in Maine. With no house to clean or laundry to fold, and no social media distraction, there was not much left to do but read, which was my intention, of course, when I decided to leave my phone, dead, in the car for most of the week.  (Let’s not discuss the fact that I really should just try harder to resist the temptation, regardless of the state of my phone or the location of my various devices. Thanks.)

Out of respect for Patchett, I am not including my Amazon affiliate link here. I bought my copy at my local independent bookseller and I urge you to do the same. Full disclosure: Though I have an Amazon affiliate account, I do usually buy my books at my local bookstore. Now you know my dirty secret.